The Hybrid Drawings offer a synthesis of transcultural identities experienced in India's build landscape. Layering coexistences, continuances, disjunctures and dissimilarities onto the same continuous line drawing, each form contains an amalgamation of various architectural styles which include Brutalist, Indo-sarasenic, Deco-sarasenic, Modern, Mughal, Gothic, Victorian, Hindu and Sikh templar architecture from cities in India including Bengaluru, Jaipur, Kolkata, New Delhi, Mandu and Mumbai.

The work here rests on a perspective drawing with two vanishing points. As the audience walks through the space, the singular and multi-planar works either reveal their complexities and forms, or entangle sight-lines to completely visually collapse into a vertical line. Reflecting an experience termed ‘anticipated nostalgia’- a state that perceives the present and the future through the prism of loss and disappearance, while thinking about the present where puritan motivations dominate public imagination- here the forms and histories overlap, and will be flattened and revealed through perspective itself. As such Liminal Gaps can be seen as moments in the present where history and significance can be altered, removed, or made unfamiliar. 

Your experience of the work is determined by how you decide to navigate the space.